“CENTURY is my homage to paintings and drawings from the twentieth century and the countless hours I've spent looking at them.”
— Casey Reas, CENTURY project description, Art Blocks
The strongest direct reference is a series of pictures created by Ellsworth Kelly in the 1950s where he cut his paintings into pieces and reassembled them in different orders.
— CENTURY project description, Art Blocks

“These are landscapes; they look best large and in motion running as live code.”
— Casey Reas, CENTURY project description, Art Blocks




He co-wrote the language a large part of this art is written in. Then he used it to talk about Ellsworth Kelly — not about the algorithm.
The references span the origins of concrete and non-objective art to color-field painting and minimalism.
CENTURY project description, Art BlocksCENTURY creates a distinct picture for each unique transaction hash, and you can “cut” and “reassemble” it in different ways by pressing ‘1’ on your keyboard.
CENTURY project description, Art BlocksEvery figure above comes from Alfred’s own dataset — sales, volume and owners read off the chain, floors from the marketplaces. On a wallet he goes one step further, to the number that gets buried under a decade of transfers: what you actually paid.
In the wallets we look at, nearly half of what people hold has no purchase price to look up. It arrived as a mint, a swap or a transfer.
Alfred follows each one back through the chain.
Both figures come from one reading: 16 wallets, 3,548 items, Sep 2026.
See what your collection cost you