In 2021, Hirst made 10,000 hand-painted spot works and gave collectors a single choice: keep the NFT, or burn it for the physical painting. 5,149 chose the painting. 4,851 chose to stay digital. The question was the artwork.
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“Hirst's 2021 project 'The Currency' asking collectors to choose between the traditional medium of painting and the contemporary NFT, forcing them to put faith in where they see value.”
— HENI Artists biography, heni.com/artists/damien-hirst, accessed 2026-08-18
“Hirst's 2023 generative spin paintings — collectors choose colour, style, shape and title; the p5.js algorithm is stored on-chain.”
— OpenSea collection description, HENIHe spent thirty years asking what makes art valuable — through pickled sharks, spot paintings, and diamond skulls. Then he made the question literal: 10,000 identical works, each collector forced to choose between the physical and the digital, knowing one would be destroyed.
Every figure above comes from Alfred’s own dataset — sales, volume and owners read off the chain, floors from the marketplaces. On a wallet he goes one step further, to the number that gets buried under a decade of transfers: what you actually paid.
In the wallets we look at, nearly half of what people hold has no purchase price to look up. It arrived as a mint, a swap or a transfer.
Alfred follows each one back through the chain.
Both figures come from one reading: 16 wallets, 3,548 items, Sep 2026.
See what your collection cost you