“I create sad and live happy. It's kind of my mantra.”
— Mark Wilson, Right Click Save, September 2022
I always describe it to people as a kind of shared psychedelic porta-potty where a bunch of artists all vomited, which then overflowed into the wider digital art consciousness. People were forced to reckon with what we were making, which wasn't celebrity paperweight art.
— Mark Wilson, Right Click Save, September 2022 — on Hic Et Nunc, the Tezos platform where he first minted in March 2021

there is no abstract. or figurative. or method. or revolution. or artists or collectors for that matter. and most of what we make or acquire will be mercifully forgotten in the puncture holes distributed by dull bayonets from a war that was never fought. but there is meat. and flies. there is always meat. there is that. and the flies that satisfy their carnal urges in the pulverized existence of a beast born to feed and bleed. these strokes document the joyful moments in the slaughterhouse.
Collection description, beef-brothko, opensea.io/collection/beef-brothkoobjkt alias: diewiththemostlikes · own FA2 contract · 1 token type · 43 holders · KT1WXk1pL7ARWZnCVxfxyXQsjb2XpjNk8CXn
objkt GraphQL API, data.objkt.com/v3/graphql, retrieved 17 August 2026Six hundred and sixty-six works documented in the slaughterhouse of beef brothko, and one token on Tezos — a contract named 'fuck him', 43 holders. His Tezos debut was March 2021, when Hic Et Nunc was still loud and strange; beef brothko arrived on Ethereum in September 2023. The work came first, the market found it later.
There is freedom in the onslaught. To let creations of varying states of finality be ripped to shreds in the highway median strip of life.
Mark Wilson, Right Click Save, September 2022Once I can get my head around what I've seen, that's when the creative process takes place. And it's funny. In a lot of ways, some of the saddest pieces that I make, I don't feel like they are that far from our own reality that we live in.
Mark Wilson, Right Click Save, September 2022Every figure above comes from Alfred’s own dataset — sales, volume and owners read off the chain, floors from the marketplaces. On a wallet he goes one step further, to the number that gets buried under a decade of transfers: what you actually paid.
In the wallets we look at, nearly half of what people hold has no purchase price to look up. It arrived as a mint, a swap or a transfer.
Alfred follows each one back through the chain.
Both figures come from one reading: 16 wallets, 3,548 items, Sep 2026.
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