“In 2021 I joined the digital art world and have become well known in that community. It gave me the opportunity to exhibit digital paintings I created in 1996.”
— Michael Hafftka, Biography, hafftka.com
Fifty years of painting for the permanent collection. Eight tokens as the NFT chapter. The ratio between those numbers is the thing worth understanding about this presence — this is not a market debut, it is an annotation in a much longer record.
My art is in the permanent collections of The British Museum, The Metropolitan Museum of Art, Museum of Modern Art, Brooklyn Museum of Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, National Gallery of Art, Marion Koogler McNay Art Museum, and other museums in the United States and around the world.
Michael Hafftka, Biography, hafftka.comIn 2021 I joined the digital art world and have become well known in that community. It gave me the opportunity to exhibit digital paintings I created in 1996.
Michael Hafftka, Biography, hafftka.comEvery figure above comes from Alfred’s own dataset — sales, volume and owners read off the chain, floors from the marketplaces. On a wallet he goes one step further, to the number that gets buried under a decade of transfers: what you actually paid.
In the wallets we look at, nearly half of what people hold has no purchase price to look up. It arrived as a mint, a swap or a transfer.
Alfred follows each one back through the chain.
Both figures come from one reading: 16 wallets, 3,548 items, Sep 2026.
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