“CryptoPunks launched as a fixed set of 10,000 items in mid-2017 and became one of the inspirations for the ERC-721 standard.”
— Larva Labs, from their description of CryptoPunks
Autoglyphs are the first “on-chain” generative art on the Ethereum blockchain. A completely self-contained mechanism for the creation and ownership of an artwork.
— from their description of Autoglyphs

CryptoPunks launched as a fixed set of 10,000 items in mid-2017 and became one of the inspirations for the ERC-721 standard. They have been featured in places like The New York Times, Christie’s of London, Art|Basel Miami, and The PBS NewsHour.
Collection description, Larva Labs
Two collections. One created the market, the other proved art could live entirely on-chain. Then they sold the IP and walked away.
CryptoPunks launched as a fixed set of 10,000 items in mid-2017 and became one of the inspirations for the ERC-721 standard. They have been featured in places like The New York Times, Christie’s of London, Art|Basel Miami, and The PBS NewsHour.
From the description of CryptoPunks (2017)Autoglyphs are the first “on-chain” generative art on the Ethereum blockchain. A completely self-contained mechanism for the creation and ownership of an artwork.
From the description of Autoglyphs (2019)Every figure above comes from Alfred’s own dataset — sales, volume and owners read off the chain, floors from the marketplaces. On a wallet he goes one step further, to the number that gets buried under a decade of transfers: what you actually paid.
In the wallets we look at, nearly half of what people hold has no purchase price to look up. It arrived as a mint, a swap or a transfer.
Alfred follows each one back through the chain.
Both figures come from one reading: 16 wallets, 3,548 items, Sep 2026.
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