“…the first female ‘solo artist’ to have programmed and tokenized her own NFTs to the Ethereum blockchain in 2017.”
— Victoria Verdandi, from her description of the Legacy Collection
Two of her early NFTs are now in the permanent collection of SAMFA (San Angelo Museum of Fine Art) as both historically and culturally significant.
— from her description of the Legacy Collection


Her LEGACY, 2018. In 94 hands by 2024. Today, work that changes with the day.








As I complete my tenth year in digital art, these pieces stand as quiet origins, signals from the beginning of my journey, finally given their tokenized place.
From the artist’s description of VERDANDI ARCHIVE (2025)In ‘Origins,’ we see the tension between the precision of a digital file and the unpredictability of the network through which it travels.
From the artist’s description of VERDANDI ORIGINS (2024)Every figure above comes from Alfred’s own dataset — sales, volume and owners read off the chain, floors from the marketplaces. On a wallet he goes one step further, to the number that gets buried under a decade of transfers: what you actually paid.
In the wallets we look at, nearly half of what people hold has no purchase price to look up. It arrived as a mint, a swap or a transfer.
Alfred follows each one back through the chain.
Both figures come from one reading: 16 wallets, 3,548 items, Sep 2026.
See what your collection cost you