Alfred Presents · Artist Showcase

ZACH LIEBERMAN

generative, code · Ethereum · x.com/zachlieberman

“I feel strongly that we should be making work that speaks for itself.”

— Zach Lieberman, interview by Peter Bauman, Le Random, August 2, 2023

The things I care about are so immediate. I care about images. I care about ambiguity. I care about 3D that looks like 2D or 2D that looks like 3D. I care about your brain having to work a little bit harder. I care about texture and color. To me, those are about the grammar of vision and I'm not trying to make really conceptual work per se.

— Zach Lieberman, interview by Peter Bauman, Le Random, August 2, 2023
100 Sunsets, works
100
Floor
1.25ETH
Lifetime volume
140.88ETH
Recorded sales
30
Owners
79
On-chain since
2022
Floor, volume, sales and owners from the OpenSea /collections/100-sunsets-by-zach-lieberman/stats endpoint, measured 2026-08-18. Supply of 100 is sourced from Bright Moments collection documentation (100 works live-minted in Venice, 2022); the OpenSea total_supply field returned null on the same date.
Track Zach Lieberman in Alfred
Floor, sales and new listings for 100 Sunsets — as they happen.
The work · 2022

One hundred sunsets, minted live on the water

Live-minted in Venice

100 Sunsets by Zach Lieberman

“I feel strongly that we should be making work that speaks for itself. So it's important to not be in service of technology.”

— Zach Lieberman, interview by Peter Bauman, Le Random, August 2, 2023
100 worksFloor 1.25 ETH140.88 ETH volume30 sales79 owners

He has spent twenty years building openFrameworks so others could code creatively, and another decade teaching that practice at MIT. When Bright Moments brought him to Venice in 2022, he minted a hundred sunsets live — code run once, in place, never repeated.

In his words

Work that speaks for itself

I feel strongly that we should be making work that speaks for itself. So it's important to not be in service of technology.

Le Random, interview by Peter Bauman, August 2, 2023

But I don't want you to look at any of my pieces and say, 'Okay, that's a great application of Delaunay triangulation.' Or 'That's an amazing shader code.' My least favorite thing is somebody asking me: 'How was it made?' Imagine going to an exhibition and asking a painter something like, 'How did you hang this? How did you stretch the canvas?' To me, that's f––g boring.

Le Random, interview by Peter Bauman, August 2, 2023

The things I care about are so immediate. I care about images. I care about ambiguity. I care about 3D that looks like 2D or 2D that looks like 3D. I care about your brain having to work a little bit harder. I care about texture and color. To me, those are about the grammar of vision.

Le Random, interview by Peter Bauman, August 2, 2023

I always say to students, 'The best work is connecting what you care about now with what makes you who you are.' That always leads to the most exciting outcomes.

Le Random, interview by Peter Bauman, August 2, 2023

Follow this practice as it moves.

Alfred watches the floor, sales and new listings for 100 Sunsets — and tells you when something moves.

Track Zach Lieberman in Alfred